http://www.dspace.cam.ac.uk:80/handle/1810/226413 Sun, 19 May 2013 21:06:40 GMT 2013-05-19T21:06:40Z http://www.dspace.cam.ac.uk:80/handle/1810/226717 Title: Drum Talk and Drumming Authors: Riley-Smith, Tristram Abstract: Audio recording of music and vocalised drumming. Description: Morning with Naresh, who’s finished his 11-headed Lokeswor: I photograph it + pics of his grand-dad which I don’t think come out. I also record him and his friend speaking & playing different tal of the dhaa – deo layagu, chore (one part) and jutti. Mon, 21 Jul 1980 23:00:00 GMT http://www.dspace.cam.ac.uk:80/handle/1810/226717 1980-07-21T23:00:00Z http://www.dspace.cam.ac.uk:80/handle/1810/226718 Title: Drum Training Authors: Riley-Smith, Tristram Abstract: A chant of a drum sequence called Deo Layagu. Description: Naresh visits again this morning. More v interesting info learnt. I persuade him to chant one of the drum sequences he’s learnt, which I tape: called Deo Layagu it is to be played outside a shrine (as opposed to the longer “Chore” which is played on processions through the town). I try to quiz him on different sounds and their relation to different beats: “khin” and “kha” refer to striking the drum with a stick as held in the left hand; “Ta” = a slap with the right hand with fingers splayed open (on one point of drum face – Naresh can’t remember whether it’s at the centre or the side); while “NURRA” refers to a finger run (a 4-hit tattoo using index finger first through to little finger last). Sat, 19 Jul 1980 23:00:00 GMT http://www.dspace.cam.ac.uk:80/handle/1810/226718 1980-07-19T23:00:00Z http://www.dspace.cam.ac.uk:80/handle/1810/226716 Title: Newari Samgit Conversation Authors: Riley-Smith, Tristram Abstract: A conversation in Newari with Samgit perhaps about the Newari Birthday ritual Tue, 01 Jan 1980 00:00:00 GMT http://www.dspace.cam.ac.uk:80/handle/1810/226716 1980-01-01T00:00:00Z http://www.dspace.cam.ac.uk:80/handle/1810/226715 Title: Newari Samgit Conversation Authors: Riley-Smith, Tristram Abstract: A conversation in Newari with Samgit perhaps about the Newari Birthday ritual. Tue, 01 Jan 1980 00:00:00 GMT http://www.dspace.cam.ac.uk:80/handle/1810/226715 1980-01-01T00:00:00Z http://www.dspace.cam.ac.uk:80/handle/1810/226714 Title: Sounds of Music and Worship in Uku Baha, Patan Authors: Riley-Smith, Tristram Abstract: Sounds of music and worship played in the courtyard of Uku Baha. Tue, 01 Jan 1980 00:00:00 GMT http://www.dspace.cam.ac.uk:80/handle/1810/226714 1980-01-01T00:00:00Z http://www.dspace.cam.ac.uk:80/handle/1810/226713 Title: Performance of Nau Bajan in the Courtyard of Uku Baha Authors: Riley-Smith, Tristram Abstract: The Nau Bajan lasts eight days, and like the rest of the musical events Uku Baha is involved in, it occurs only once every ten years. This evening it began c 5.45, with 5 dhaa players and two gushyas playing chores; later joined by a Jogi (who came into the sunken part of the courtyard) and the nyekhu players who were in the northern digi. Music was in the courtyard to the n-w of the shrine, beyond the statue of Rana. Description: Cross refer to Riley-Smith field notes Volume VI: Patan 1980 - Musical instruments used in the performance: 1. The dhaa 2 Dhimeh 3. Nakin wooden drum 4. Muyakin 5: Pachima 6. Dhaamwake 7. Doluk 8. Dwor 9. Nagarra: 10 Bhiha baja 11 Kashi baja 12 Pwonkija 13 Lotu-photu 14 Dumeroo 15 Kondulli 16 Jakari 17 Nyekhu 18 Jalli 19 Gushya 20 Mwalli Tue, 05 Aug 1980 23:00:00 GMT http://www.dspace.cam.ac.uk:80/handle/1810/226713 1980-08-05T23:00:00Z http://www.dspace.cam.ac.uk:80/handle/1810/226712 Title: Performance of Nau Bajan in the Courtyard of Uku Baha Authors: Riley-Smith, Tristram Abstract: The Nau Bajan lasts eight days, and like the rest of the musical events Uku Baha is involved in, it occurs only once every ten years. This evening it began c 5.45, with 5 dhaa players and two gushyas playing chores; later joined by a Jogi (who came into the sunken part of the courtyard) and the nyekhu players who were in the northern digi. Music was in the courtyard to the n-w of the shrine, beyond the statue of Rana. Description: Cross refer to Riley-Smith field notes Volume VI: Patan 1980 - Musical instruments used in the performance: 1. The dhaa 2 Dhimeh 3. Nakin wooden drum4. Muyakin 5: Pachima 6. Dhaamwake 7. Doluk 8. Dwor 9. Nagarra: 10 Bhiha baja 11 Kashi baja 12 Pwonkija 13 Lotu-photu 14 Dumeroo 15 Kondulli 16 Jakari 17 Nyekhu 18 Jalli 19 Gushya 20 Mwalli Tue, 05 Aug 1980 23:00:00 GMT http://www.dspace.cam.ac.uk:80/handle/1810/226712 1980-08-05T23:00:00Z http://www.dspace.cam.ac.uk:80/handle/1810/226711 Title: Gathu Piachan Authors: Riley-Smith, Tristram Abstract: Conservation between Riley-Smith and unidentified informant discussing the Newari festival of Gathu Piachan Description: The audio recordings taken in Patan, Nepal by Tristram Riley-Smith in the course of doctoral field work among the Newar community of Buddhist artists. Tue, 01 Jan 1980 00:00:00 GMT http://www.dspace.cam.ac.uk:80/handle/1810/226711 1980-01-01T00:00:00Z