<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0">
  <channel>
    <title>DSpace Community:</title>
    <link>http://www.dspace.cam.ac.uk:80/handle/1810/225220</link>
    <description />
    <pubDate>Sun, 19 May 2013 20:14:15 GMT</pubDate>
    <dc:date>2013-05-19T20:14:15Z</dc:date>
    <item>
      <title>Phur ba Ritual 5a</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244567</link>
      <description>Title: Phur ba Ritual 5a
Authors: Mayer, Robert
Abstract: Dr Cathy Cantwell and Dr Rob Mayer, of Oxford University,  undertook an AHRC-funded research project to study the Bon Phur pa tradition descending from the 12th century figure of Khu tsha zla ‘od. The project ran from May 2007 until December 2011. The Bon monastery of Triten Norbutse in Kathmandu  continue this ritual tradition, especially in their elaborate dgu gtor or year-ending ceremonies. Kemi Tsewang was commissioned to photograph and video the rites, held in the last week of the Tibetan year, from the preparations on 9th February 2010, through the main ritual on 10th and 11th February, up to and including the ritual dances and exorcisms on 12th February, 2010.
Description: HD movies made by Kemi Tsewang for Cathy Cantwell &amp; Rob Mayer’s AHRC-funded Bon Phur pa project at Oxford University.</description>
      <pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244567</guid>
      <dc:date>2010-02-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Phur ba Ritual 5</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244566</link>
      <description>Title: Phur ba Ritual 5
Authors: Mayer, Robert
Abstract: Dr Cathy Cantwell and Dr Rob Mayer, of Oxford University,  undertook an AHRC-funded research project to study the Bon Phur pa tradition descending from the 12th century figure of Khu tsha zla ‘od. The project ran from May 2007 until December 2011. The Bon monastery of Triten Norbutse in Kathmandu  continue this ritual tradition, especially in their elaborate dgu gtor or year-ending ceremonies. Kemi Tsewang was commissioned to photograph and video the rites, held in the last week of the Tibetan year, from the preparations on 9th February 2010, through the main ritual on 10th and 11th February, up to and including the ritual dances and exorcisms on 12th February, 2010.
Description: HD movies made by Kemi Tsewang for Cathy Cantwell &amp; Rob Mayer’s AHRC-funded Bon Phur pa project at Oxford University.</description>
      <pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244566</guid>
      <dc:date>2010-02-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Phur ba Ritual 4</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244565</link>
      <description>Title: Phur ba Ritual 4
Authors: Mayer, Robert
Abstract: Dr Cathy Cantwell and Dr Rob Mayer, of Oxford University,  undertook an AHRC-funded research project to study the Bon Phur pa tradition descending from the 12th century figure of Khu tsha zla ‘od. The project ran from May 2007 until December 2011. The Bon monastery of Triten Norbutse in Kathmandu  continue this ritual tradition, especially in their elaborate dgu gtor or year-ending ceremonies. Kemi Tsewang was commissioned to photograph and video the rites, held in the last week of the Tibetan year, from the preparations on 9th February 2010, through the main ritual on 10th and 11th February, up to and including the ritual dances and exorcisms on 12th February, 2010.
Description: HD movies made by Kemi Tsewang for Cathy Cantwell &amp; Rob Mayer’s AHRC-funded Bon Phur pa project at Oxford University.</description>
      <pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244565</guid>
      <dc:date>2010-02-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Phur ba Ritual 3</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244564</link>
      <description>Title: Phur ba Ritual 3
Authors: Mayer, Robert
Abstract: Dr Cathy Cantwell and Dr Rob Mayer, of Oxford University,  undertook an AHRC-funded research project to study the Bon Phur pa tradition descending from the 12th century figure of Khu tsha zla ‘od. The project ran from May 2007 until December 2011. The Bon monastery of Triten Norbutse in Kathmandu  continue this ritual tradition, especially in their elaborate dgu gtor or year-ending ceremonies. Kemi Tsewang was commissioned to photograph and video the rites, held in the last week of the Tibetan year, from the preparations on 9th February 2010, through the main ritual on 10th and 11th February, up to and including the ritual dances and exorcisms on 12th February, 2010.
Description: HD movies made by Kemi Tsewang for Cathy Cantwell &amp; Rob Mayer’s AHRC-funded Bon Phur pa project at Oxford University.</description>
      <pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244564</guid>
      <dc:date>2010-02-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Phur ba Ritual 2</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244563</link>
      <description>Title: Phur ba Ritual 2
Authors: Mayer, Robert
Abstract: Dr Cathy Cantwell and Dr Rob Mayer, of Oxford University,  undertook an AHRC-funded research project to study the Bon Phur pa tradition descending from the 12th century figure of Khu tsha zla ‘od. The project ran from May 2007 until December 2011. The Bon monastery of Triten Norbutse in Kathmandu  continue this ritual tradition, especially in their elaborate dgu gtor or year-ending ceremonies. Kemi Tsewang was commissioned to photograph and video the rites, held in the last week of the Tibetan year, from the preparations on 9th February 2010, through the main ritual on 10th and 11th February, up to and including the ritual dances and exorcisms on 12th February, 2010.
Description: HD movies made by Kemi Tsewang for Cathy&#xD;
Cantwell &amp; Rob Mayer’s AHRC-funded Bon Phur pa&#xD;
project at Oxford University.</description>
      <pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244563</guid>
      <dc:date>2010-02-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Phur ba Ritual 1</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244562</link>
      <description>Title: Phur ba Ritual 1
Authors: Mayer, Robert
Abstract: Dr Cathy Cantwell and Dr Rob Mayer, of Oxford University,  undertook an AHRC-funded research project to study the Bon Phur pa tradition descending from the 12th century figure of Khu tsha zla ‘od. The project ran from May 2007 until December 2011. The Bon monastery of Triten Norbutse in Kathmandu  continue this ritual tradition, especially in their elaborate dgu gtor or year-ending ceremonies. Kemi Tsewang was commissioned to photograph and video the rites, held in the last week of the Tibetan year, from the preparations on 9th February 2010, through the main ritual on 10th and 11th February, up to and including the ritual dances and exorcisms on 12th February, 2010.
Description: HD movies made by Kemi Tsewang for Cathy Cantwell &amp; Rob Mayer’s AHRC-funded Bon Phur pa project at Oxford University.</description>
      <pubDate>Mon, 01 Feb 2010 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244562</guid>
      <dc:date>2010-02-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Interview with Harnarayan Jath about Tejaji Ballad (A-035)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244561</link>
      <description>Title: Interview with Harnarayan Jath about Tejaji Ballad (A-035)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: Harnarayan Jath is popular in the region for his knowledge on Tejai Ballad. Now is aged and has stopped singing but people still invites him to attend the Jagarans.</description>
      <pubDate>Wed, 15 Sep 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244561</guid>
      <dc:date>2010-09-15T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Tejaji Ballad &amp; Interview afout the Sureli fair (A-034)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244560</link>
      <description>Title: Tejaji Ballad &amp; Interview afout the Sureli fair (A-034)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: This was recorded on the occasion of Teja Dashmi festival.</description>
      <pubDate>Wed, 15 Sep 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244560</guid>
      <dc:date>2010-09-15T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Interview with patients (A-033)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244559</link>
      <description>Title: Interview with patients (A-033)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: Stories of miracles and beliefs narrated by patients and attendants to the shrine.</description>
      <pubDate>Wed, 15 Sep 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244559</guid>
      <dc:date>2010-09-15T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Tejaji Ballad (A-031)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244558</link>
      <description>Title: Tejaji Ballad (A-031)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: The Tejaji Ballad from the house of Laduram &amp; Ramesh Meena.</description>
      <pubDate>Sun, 12 Sep 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244558</guid>
      <dc:date>2010-09-12T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Tejaji Ballad (A-030)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244557</link>
      <description>Title: Tejaji Ballad (A-030)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: The style of singing is similar to that of Digod Tehsil villages of Kota District.</description>
      <pubDate>Sun, 12 Sep 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244557</guid>
      <dc:date>2010-09-12T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Tejaji Ballad (A-029)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244556</link>
      <description>Title: Tejaji Ballad (A-029)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: The style of singing is similar to that of Digod Tehsil villages of Kota District.</description>
      <pubDate>Mon, 06 Sep 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244556</guid>
      <dc:date>2010-09-06T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Tejaji Ballad (A-028)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244555</link>
      <description>Title: Tejaji Ballad (A-028)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: This group of singers is popular in the region for their voice and their recorded Audio DVDs which sells in the market. But while recording the Ballad with them it was noticed that they do not know to sing the complete Ballad and only sings popular part of it. During this recording they forgot to sing Gajanand Stuti which is necessary to sing before starting the Tejaji Ballad.</description>
      <pubDate>Sun, 05 Sep 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244555</guid>
      <dc:date>2010-09-05T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Tejaji Ballad (A-027)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244554</link>
      <description>Title: Tejaji Ballad (A-027)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: Talwas is famous for its fair and snake procession in which men goes into the jungle, finds a snake and carry it to the Tejaji Shrine in a procession while singing the Tejaji Ballad. They believe that it is incarnation of Delwarji (Snake deity). The village also stages Tejaji-ka-khel (i.e. Drama based on Tejaji’s life) during the fair. Here the fair starts tree days after the Teja-Dashmi festival.</description>
      <pubDate>Sat, 04 Sep 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244554</guid>
      <dc:date>2010-09-04T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Tejaji Ballad &amp; interview with Ramnarain Saini (A-025)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244553</link>
      <description>Title: Tejaji Ballad &amp; interview with Ramnarain Saini (A-025)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: The Manjira used here are smaller in size made out of thin metal sheet which do not resonate much. The style of holding the Dholak is also different, it is held below the knees.&#xD;
Audio files no. file0002.wav to file0011.wav relates to interview with the main singer Ramnarain Mali who narrated the story in detail.</description>
      <pubDate>Tue, 31 Aug 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244553</guid>
      <dc:date>2010-08-31T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Heed (A-023)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244552</link>
      <description>Title: Heed (A-023)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: The style is different than Goth. Heed is sung during the Diwali festival.</description>
      <pubDate>Fri, 27 Aug 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244552</guid>
      <dc:date>2010-08-27T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Tejaji Ballad (A-022)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244551</link>
      <description>Title: Tejaji Ballad (A-022)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: This was the only performance where no Aerophonic instrument Algoja or Harmonium was used. The style of singing looks much similar to the ‘Dauda’ style.</description>
      <pubDate>Thu, 26 Aug 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244551</guid>
      <dc:date>2010-08-26T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Tejaji Ballad (A-021)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244550</link>
      <description>Title: Tejaji Ballad (A-021)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: In this village the style of singing looked similar to Bhajans. The number of Manjira players were six to seven while at other places there were generally two to three.</description>
      <pubDate>Wed, 25 Aug 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244550</guid>
      <dc:date>2010-08-25T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Tejaji Ballad &amp; interview of Sumer Singh Hada (Ex-sarpanch) (A-020)</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244549</link>
      <description>Title: Tejaji Ballad &amp; interview of Sumer Singh Hada (Ex-sarpanch) (A-020)
Authors: Meena, Madan
Abstract: The collection consists of audio recordings along with related photographs and videos. The project was mainly based on recording 20 hours of the Tejaji Ballad sung by the Mali (gardeners) community of the village Thikarda. But along with Thikarda, nightlong recordings were also done in some 23 other villages of Hadoti and surrounding region for a comparative study.
Description: The Kanjars speak three languages i.e. the regional Hadoti language, community language and Parsi which is their secret language used to execute criminal activities. The community has been categorised as de-notified tribe. The community is known for their criminal activities, making country liquor, selling fake gold and prostitution.</description>
      <pubDate>Mon, 23 Aug 2010 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244549</guid>
      <dc:date>2010-08-23T23:00:00Z</dc:date>
    </item>
    <item>
      <title>Christian Statement and Chant</title>
      <link>http://www.dspace.cam.ac.uk:80/handle/1810/244548</link>
      <description>Title: Christian Statement and Chant
Authors: Whitehorn, John
Abstract: Recordings in Paiwan made by John Whitehorn, a missionary working with a Presbyterian church in Taiwan.
Description: Refers to a repeat of the statement and chant found on tape 2010.7_01a_1 and _2.</description>
      <pubDate>Wed, 31 Dec 1969 23:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://www.dspace.cam.ac.uk:80/handle/1810/244548</guid>
      <dc:date>1969-12-31T23:00:00Z</dc:date>
    </item>
  </channel>
</rss>

